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而1896年12月和1897-1898年的音乐会是由在英国和美国一些大提琴家和指挥家演出的，其中包括斯特恩1897年1月在芝加哥的演出。
In December 1896 and during 1897-1898 the concerto was performed by a few cellists and conductors in England and the United States, including Stern in Chicago in January 1897.年，他为大提琴和钢琴创作了《辉煌的探戈》(LeGrandTango)，题献给俄罗斯大提琴家罗斯特罗普维奇(MtislavRostropovitch)，并于1990年在新奥尔良(NewOrleans)亲自首演。
In 1982 he writes“Le Grand Tango” for cello and piano, dedicated to Russian cellist, Mtislav Rostropovitch and premiered by him in 1990 in New Orleans.今年的节日音乐会将有大提琴家杰西Christeson。
This year's holiday season concerts will feature cellist Jesse Christeson.从2008年开始，玛丽莎成为维多利亚交响乐团首席大提琴家。
Since 2008 Melissa is has been Principal Cellist of Orchestra Victoria.还有，高级大提琴家必须掌握3种谱号而不是1种。
Advanced cellists also must learn three clefs instead of just one.他是一个热心的业余歌手，钢琴家和大提琴家，自己编写幽默歌曲。
He was an enthusiastic amateur singer, pianist and cellist who composed his own humorous songs.年西班牙大提琴家卡沙尔斯(PabloCasals)在波多黎各创立了著名的音乐节。
In Puerto Rico the Spanish cellist Pablo Casals established a noted festival in 1957.年，白南准搬到纽约并开始与古典大提琴家夏洛特·摩尔曼（CharlotteMoorman）合作。
Paik moves to New York, and begins working with classical cellist Charlotte Moorman.年，白南准搬到纽约并开始与古典大提琴家夏洛特·摩尔曼（CharlotteMoorman）合作。
In 1964 Paik moved to New York and worked with the classical cellist Charlotte Moorman.德国大提琴家克里斯托弗·弗兰齐乌斯5岁时开始学习音乐，一年后进行了首次公开演出。
The German cellist Christopher Franzius started his musical studies at 在五年后的十三岁时回到巴西，Dom开始写信给美国大提琴家ChristineWalevska。
Upon moving back to Brazil five years later at the age of thirteen, Dom began writing letters to acclaimed American cellist Christine Walevska.罗斯特罗波维奇更是曾称赞米沙·麦斯基是“年轻一代大提琴家中最杰出的天才之一。
Rostropovich has lauded Mischa Maisky as”… one 在这种环境下，大提琴家个人的艺术人格比其他任何文学作品都要突出。
In such an environment, the cellist's own artistic personality comes to 从昨天第一个名单,和她所期待的相反,她看到大提琴家的名字失踪了。
On 年，Paik搬到纽约开始与古典大提琴家夏洛特摩尔曼合作，将他的视频，音乐和表演结合起来。
In 1964, Paik moved to New York, and began working with classical cellist Charlotte Moorman, to combine his video, music, and performance.卡萨尔斯总是先把自己看成一个人，其次是一个音乐家，然后才是大提琴家。
Casals always thought of himself as 与你可能合理预期的相反,死亡没有给出租车司机大提琴家的地址,但这剧院表演。
Contrary to what you might reasonably expect, death did not give 在五年后的十三岁时回到巴西，Dom开始写信给美国大提琴家ChristineWalevska。
Five years later, upon moving back to Brazil, Dom began to write letters to acclaimed American cellist Christine Walevska.至于死亡年龄在卡片上,握着她的手,我们可以看到,大提琴家是49岁。
As for 年，Paik搬到纽约开始与古典大提琴家夏洛特摩尔曼合作，将他的视频，音乐和表演结合起来。
He moved to New York in 1964 and started working with classical cellist Charlotte Moorman to combine video, music and performance.
