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也,2015年锯迪布在密斯联邦广场(可以说是更上镜的背景)这进一步突出了这种联系。
Also, 2015 saw DEB at Mies' Federal Plaza(arguably a more photogenic backdrop), which further highlighted the connection.
密斯意识到希特勒更喜欢阿尔贝特·施佩尔(AlbertSpeer)的新古典主义风格时,他于1937年离开了德国。
When Mies realized that Hitler's preferred the monumental Neoclassicism of Albert Speer, he decided to leave Germany in 1937.
但是,尽管与密斯·范德洛、勒柯布西耶和弗兰克·劳埃德·赖特擦肩而过,约瑟夫还是不相信建筑师建造的房子。
Despite rubbing shoulders with Mies van der Rohe, Le Corbusier and Frank Lloyd Wright, Josef didn't believe in architect-built houses.
它的设计受到了世界著名建筑师密斯·凡德罗为柏林一个未建成(且小很多的)办公建筑提出的概念影响。
Its design was influenced by world-renowned Modernist architect Mies van der Rohe's unbuilt(and much smaller) concept for an office in Berlin.
密斯凡·德罗奖.
Mies van der Rohe Award.
科学在信息系统的密斯.
The Smith Master of Science in Information Systems.
KR:我很想向密斯学习。
KR: I really wanted to study with Mies.
有人叫密斯的声音。
Called a meek voice.
路德维希·密斯·凡德罗说,LessisMore。
Damodaran says less is more.
密斯湘菜馆-StarTaster星食客.
HunanCuisine- StarTaster.
密斯·凡·德·罗于1938年永久定居美国。
Mies van der Rohe settled permanently in the United States in 1938.
PeterZumthorWorksBuildingsandProjects1979-1997密斯·凡·德·罗SU模型.
Peter Zumthor Works: Buildings and Projects 1979-1997.
国内的和国际的奖项包括密斯·凡德罗奖,新兴建筑师,2003特别提名.
National and international awards include the Mies van der Rohe Award, emerging architect, special mention 2003;
作为一个密斯-凡德罗的作品的崇拜者,我很兴奋地建造它。
Being an admirer of Mies van der Rohe's work I was very excited to build it.
有时候,建筑也可以是密斯・凡德罗曾经所说的“时代意志”的表达。
Sometimes architecture can also be an expression of the"will of the time" that Mies van der Rohe once called.
自20世纪70年代初期以来,玛丽·密斯重新定义了艺术如何融入公共领域。
Mary Miss has been redefining how art is integrated into the public realm since the early 1970s.
密斯妻子AdaBruhn的父母非常满意女儿与这位建筑师的关系,因为他们认为密斯的未来前途无量。
The parents of Mies' first wife, Ada Bruhn, were pleased about their daughter's relationship with the architect since they considered his future bright.
密斯·凡·德·罗的作品回顾展最早于1947年在纽约现代艺术博物馆展出。
A retrospective of Mies van der Rohe‘s work was shown as early as 1947 at the Museum of Modern Art in New York.
我想,理查德.凯利,左边的这位,在向密斯·凡德罗解释的就是这个吧。
And I guess that is something that Richard Kelly, here on the left, was explaining to Ludwig Mies Van der Rohe.
VB:现在非常多的摩天大楼都追求密斯·凡德罗的平顶,理性又充满理想的风格。
VB: Many modern skyscrapers pursue Miesian flat-topped, rational, idealistic vision.