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济慈(Keats)曾说过:“美即真,真即美”,而陀思妥耶夫斯基(Dostoyevsky)也曾表示“唯有美能够拯救世界。
In the words of Keats:“Beauty is truth and truth is beauty”, and Dostoyevsky“Only beauty will save the world..
在左边你会通过济慈的房子,诗人约翰·济慈曾经住过的地方。
On the left you will pass Keats House, where poet John Keats once lived.
例如,根据济慈的说法,富勒的汽车预期了当今生物工程的应用,在生物工程中,来自自然的特性被纳入设计之中。
For example, Fuller's car anticipated, according to Keats, today's use of biomimesis, in which features from nature are incorporated into designs.
当我儿时读莎士比亚的诗歌,或是后来读布莱克、叶芝、济慈和艾略特的时候,我并没有被流放、成为边民的感觉。
When, as a child, I read Shakespeare's songs, or later, Blake and Yeats and Keats and Eliot, I did not feel exiled.
约翰·济慈(JohnKeats)在他的诗“睡眠与诗歌”(1816)中说,人类的生活是“印度人的睡眠不佳”,而他的船快到了“莫尔莫朗西”。
John Keats' 1816 poem"Sleep and Poetry" says human life is"a poor Indian's sleep, while his boat hastens to the monstrous steep of Montmorenci..
还有济慈的那句‘Death'sintenser-DeathisLife'shighmeed'。
But Death intenser- Death is life's high mead.
像汉克斯特德的贝克街和济慈之家这样的文学遗址值得一看。
Literary sites like Baker Street and Keats House in Hampstead are worth seeing.
人们可以把济慈的书看作是关于未来如何设计的思考实验。
One can read Keats's book as a thought experiment about how the future might be designed.
丁尼生搬到这里好几年了,济慈和DH劳伦斯都在岛上找到了灵感。
Tennyson moved here for a number of years and Keats and D H Lawrence both found inspiration while visiting the island.
与此同时,济慈还预订了空间,为在3018年拍出的照片进行展览。
He has also booked space for an exhibition of the resulting photos in the year 3018.
难道不是所有的魅力都在飞翔/在冷漠的哲学触碰下?“济慈要求。
Do not all charms fly at the mere touch of cold philosophy?.
英国诗人约翰·济慈曾写道:“从一定意义上说,失败是成功的高速路。
John Keats, an English author once said:“Failure is in essence the highway to success.
这些建筑于1838年合并,并于1925年作为济慈纪念馆向公众开放。
The houses were joined together in 1838, and opened to the public as the Keats Memorial House in 1925.
即使我们承认他是在迎合富勒的“人格”,济慈仍然认为他是一个“崇拜的先知”。
Even if we accept that he is tuned-in to aspects of Fuller's“persona,” Keats still appraises him as a“cultish prophet..
例如,根据济慈的说法,富勒的汽车预计将在今天使用仿生学,在设计中融入自然的特征。
For example, Fuller's car anticipated, according to Keats, today's use of biomimesis, in which features from nature are incorporated into designs.
这出戏可能是从读济慈的《拉米亚》中得到启发的,但可能源自伊莎多拉·邓肯的作品。
The play might have been inspired from reading Keats' Lamia, but is probably derived from the work of Isadora Duncan.
即使我们承认他在富勒的“人格”方面有所调整,济慈仍然认为他是一个“狂热的先知”。
Even if we accept that he is tuned-in to aspects of Fuller's“persona,” Keats still appraises him as a“cultish prophet..
事实上,济慈将他的发明从个人崇拜中分离出来,他的结论是,富勒拥有真正的双腿,甚至是实际的庄重。
Disentangling his inventions from the cult of personality, Keats in fact concludes that Fuller has real legs, even practical gravitas.
济慈将他的发明与个人崇拜区分开来,事实上得出的结论是,富勒有真正的腿,甚至还有实际的庄严。
Disentangling his inventions from the cult of personality, Keats in fact concludes that Fuller has real legs, even practical gravitas.
年的济慈和1822年的雪莱都在1827年在意大利,布莱克(差不多70岁)去世,而柯勒律治在19世纪20年代基本上不再写作。
Keats 1821 and Shelley 1822 both passed away in Italy, Blake(almost 70) 1827, and Coleridge largely stopped writing in the 1820s.