In China, the painting market is roughly divided into three categories: Chinese painting, Western painting and folk painting..
詹姆斯·麦克尼尔惠斯勒带来了他自己的印象,有时变化表现出强烈的中国画和日本版画的影响。
James McNeill Whistler brought his own variations of Impressionism that sometimes showed a strong influence of Chinese painting and Japanese prints.
年回国后,他将西画的技法与传统的中国画成功地结合起来,目的是发展中国画。
Returning to China in 1927, he successfully integrated Western painting methods and techniques with traditional Chinese painting in order to develop Chinese painting.
到1991年期间,他在杭州的浙江美术学院学习中国画。
From 1988-1991, he studies Chinese Painting at the Zhejiang Academy of Fine Art in Hangzhou.
仿佛要以此反驳西方沙文主义对中国画的固有偏见。
In this, it seems designed to counter chauvinistic Western ideas about Chinese painting.
莫奈把自己的这幅油画叫作“有旗帜的中国画”。
Monet called this work in his correspondence"the Chinese painting in which there are flags".
以“像真”形式表达自然的传统成为中国画的目的之一,同时亦对亚洲艺术有着重大影响。
The tradition of representing nature as it is became one of the aims of Chinese painting and was a significant influence in Asian art.
中国画之所以称之为中国画,是因为它的发源地是中国。
It is called the Chinese soapberry because its true origin is China.
中国画造型的准确问题,很多人有着自己的认识。
As for the accuracy of depicted objects in Chinese paintings, many have their own understanding.
汪海华先生长期从事中国画的创作、研究及推广。
Mr. Wang Haihua has been engaged in the creation, research and promotion of Chinese paintings for a very long time.
他甚至还怀疑伦勃朗肯定知道中国画,也许还见过几幅。
But I suspect Rembrandt must have known Chinese drawings, and had probably seen a few.
改革的第二个类型是接受西方艺术的概念和技术,并结合中国画的优良传统。
The second type of reform was to accept Western art concepts and techniques and combine them with good tradition of Chinese painting.
而文人画的呈现及其在后世的成长,极大地丰硕了中国画的创作观念和表示方式。
The appearance of literati painting and its development in later generations greatly enriched the creation concept and expression method of Chinese painting.
而文人画的出现及其在后世的发展,极大地丰富了中国画的创作观念和表现方法.
The appearance of literati painting and its development in later generations greatly enriched the creation concept and expression method of Chinese painting.
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