LANGGAARD in English translation

• langgaard
• lang-gaard

Examples of using Langgaard in Danish and their translations into English

Det ekstremt skønhedssøgende er typisk for Langgaard i denne periode af hans liv,
An extreme search for beauty was typical of Langgaard in this period of his life, of harmony.">

Der er for mig ingen tvivl om, at Langgaard sammen med Nielsen vil tegne sig for en stadig stigende interesse.
I have no doubt that interest in Langgaard, as in Carl Nielsen, will continue to increase.

Stjernen i Øst Den utopi, Langgaard så for sig, var et verdensteokrati, hvor musikken-
The Star in the East The sort of utopia imagined by Langgaard was a world theocracy in which music-

Og tegn og underlige gerninger. Den impulsive arbejdsform, Langgaard dyrkede i 1940rne, afspejler sig også i den tilsyneladende vilkårlige
The impulsive way of working used by Langgaard in the 1940's is also reflected in the apparently haphazard

Blot reagerede Langgaard ude af trit med de fleste ved at rette sig mod romantikken i stedet for mod neoklassik eller"nysaglighed.
But Langgaard's reaction was out of step with most others, in that it moved towards Romanticism rather than Neoclassicism or the"new objectivity.

tildelt Langgaard i 1916) til Tyskland, Østrig, Schweiz og Italien.
awarded to Langgaard in 1916.

må have medvirket til, at Langgaard drastisk skiftede stil omkring 1925.
must have contributed to Langgaard's drastic shift in style around 1925.

af større passager flere gange efter hinanden- er et særligt kendetegn for Langgaard.
of larger passages several times in sequence- is one of Langgaard's special characteristics.

et ord, Langgaard selv havde konstrueret.
a word invented by Langgaard himself.

rum er mere fremtrædende hos Langgaard end traditionelt grundlæggende elementer som melodi og form.
space are more prominent in Langgaard's music than such traditional basic elements as melody and form.

med nogle få retoucheringer, som Langgaard foretog frem til 1920.
with a few retouchings made by Langgaard up to 1920.

Det er første gang siden 1949 at der koncertopføres en symfoni af Langgaard.
This was the first time since 1949 that one of Langgaard's symphonies had been performed in concert.

Richard Hoves anmeldelse af udgivelsen i Dansk Musik Tidsskrift blev en af de mest positive værkomtaler, Langgaard nogensinde fik.
Richard Hove's review of the publication in Dansk Musik Tidsskrift was to be one of the most positive mentions ever accorded a work by Langgaard.

nemlig Georges Rodenbachs roman Bruges-la-morte(1892, dansk oversættelse 1912), som Langgaard lige havde genlæst, i øvrigt den bog, Eric Wolfgang Korngold benyttede som forlæg for operaen Die tote Stadt 1920.
Danish translation 1912), which Lang-gaard had just re-read- incidentally this is the book Eric Wolfgang Korngold used as his source for the opera Die tote Stadt 1920.

tre dage omkring årsskiftet 1918/19 og uropført mindre end to måneder senere ved en koncert, Langgaard selv arrangerede på konservatoriet i København.
given its first performance less than two months later in a concert arranged by Lang-gaard himself at the Royal Academy of Music in Copenhagen.

Blot reagerede Langgaard ude af trit med de fleste ved at rette sig mod romantikken i stedet for mod neoklassik eller"nysaglighed.
Carl Nielsen. But Langgaard's reaction was out of step with most others, in that it moved towards Romanticism rather than Neoclassicism or the"new objectivity.

når familien Langgaard ferierede i det idyliske fiskerleje Arild på Kullen(Sverige), fik Rued lejlighed
when the Langgaard family holidayed at the idyllic fishing hamlet of Arild on Kullen(Sweden),

Værket blev til, efter at Langgaard i 1925 havde vendt ryggen til"den moderne musiks rædsler" og sat sig for
The work was written in 1925 after Langgaard had turned his back on"the horrors of modern music"

I 1913 tilbragte den 20-årige Langgaard sommeren i den lille kurby Kyrkhult i Blekinge i Sverige,
In 1913 the 20-year-old Rued Langgaard spent the summer in the little spa town Kyrkhult in Blekinge,

Høsttiden- på latin"messis"- symboliserer verdens undergang, og Langgaard mente, at tiden omkring århundredeskiftet ikke blot var musikhistoriens foreløbige højdepunkt, men også bar et mystisk præg af lurende forfald,
The harvest time- in Latin,"messis"- symbolises the end of the world, and in Langgaard's opinion the period around the turn of the century not only marked the culmination of the history of music so far,