Examples of using Impressionist in English and their translations into Hindi
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Ecclesiastic
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Ecclesiastic
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boundary between subject and background so that the effect of an Impressionist painting often resembles a snapshot,
In 1904 the artist and writer Wynford Dewhurst wrote the first important study of the French painters published in English, Impressionist Painting: its genesis and development, which did much to popularize Impressionism in Great Britain.
During the 1880s several artists began to develop different precepts for the use of colour, pattern, form, and line, derived from the Impressionist example: Vincent van Gogh,
never abandoned his liberal use of black as a colour, and never participated in the Impressionist exhibitions.
several paintings by Barbizon artists such as Jean-Baptiste-Camille Corot and impressionist Camille Pissarro.
to another smartphone or computer and they look like an impressionist water painting version of what you thought you were taking a snap of, rather than a photo.
There's a transcendental quality of light that brings out the hues of the landscape in ways in which make you realise that watercolourists or impressionist painters weren't just on loads of drugs after all.
never abandoned his liberal use of black as a colour, and never participated in the Impressionist exhibitions.
including ancient Greek and Roman works and 15th- and 16th-century French and Impressionist masterpieces.
never abandoned his liberal use of black as a colour, and never participated in the Impressionist exhibitions.
the street from the Picasso and the very lifelike bronze lions that guard the Impressionist masterpieces of the Art Institute of Chicago.
avoided its use and preferred to obtain darker colours by mixing), and never participated in the Impressionist exhibitions.
brain work to put together a cohesive view of the world, an Impressionist artist like Monet is able to do the opposite to deconstruct a scene into individual brushstrokes, she says.
never abandoned his liberal use of black as a color, and never participated in the Impressionist exhibitions.
she was no longer breaking new ground, and her Impressionist colleagues who once provided stimulation and criticism were dying off.
These include Jean-Louis Forain(who participated in Impressionist exhibitions in 1879, 1880, 1881 and 1886) and Giuseppe De Nittis, an Italian artist living in Paris who participated in the first Impressionist exhibit at the invitation of Degas,
other realists who did not represent Impressionist practices, c ausing Monet in 1880 to accuse the Impressionists of"opening doors to first-come daubers".
other realists who did not represent Impressionist practices, causing Monet in 1880 to accuse the Impressionists of“opening doors to first-come daubers”.
other realists who did not represent Impressionist practices, leading Monet in 1880 to accuse the Impressionists of"opening doors to first-come daubers".
First Impressionists Aren't Everything.