MISBACH in Indonesian translation

• misbach

Examples of using Misbach in English and their translations into Indonesian

Nani is the wife of actor and director Misbach Yusa Biran,
Nani sendiri adalah istri dari aktor dan sutradara Misbach Yusa Biran,

The Indonesian film historian Misbach Yusa Biran suggests that the theme was chosen by the film's financiers.
Sejarawan film Indonesia Misbach Yusa Biran berpendapat bahwa temanya dipilih oleh pihak yang mendanai produksi film ini.

Srigala Item was a commercial success, which Misbach Yusa Biran credits to the plot's use for escapism.
Srigala Item sukses di pasaran yang menurut Misbach Yusa Biran disebabkan oleh alur eskapismenya.

the Indonesian film historian Misbach Yusa Biran suggests that the Wongs had little creative input.
sejarawan film Indonesia Misbach Yusa Biran berpendapat bahwa kreativitas Wong Bersaudara berkurang.

Indonesian film historian Misbach Yusa Biran writes,
Sejarawan film Indonesia Misbach Yusa Biran menulis

The Indonesian film historian Misbach Yusa Biran suggests that the film was likely targeted at the growing native intellectual class, citing the plot.
Sejarawan film Indonesia Misbach Yusa Biran berpendapat bahwa film ini mungkin ditargetkan pada pribumi intelek jika dilihat dari alurnya.

The Indonesian film historian Misbach Yusa Biran writes that works produced during this time were emphatically commercial,
Sejarawan film Indonesia Misbach Yusa Biran menulis bahwa film-film yang diproduksi pada masa itu bersifat komersial

Indonesian film historian Misbach Yusa Biran,
Sejarawan film Indonesia Misbach Yusa Biran menulis

while Indonesian film historian Misbach Yusa Biran gives 1918.
sejarawan film Indonesia Misbach Yusa Biran menyebut 1918.

The Indonesian film historian Misbach Yusa Biran writes that it was released during the occupation,
Sejarawan film Indonesia Misbach Yusa Biran menulis bahwa film ini dirilis pada masa pendudukan,

The Indonesian film historian Misbach Yusa Biran described it as a turning point in the history of Indonesian cinema for its catalytic effect on the industry's growth.
Sejarawan film Indonesia Misbach Yusa Biran menyebut film ini sebagai titik tolak dalam sejarah perkembangan sinema Indonesia karena telah memicu pembuatan banyak film lain.

which the Indonesian film historian Misbach Yusa Biran notes that most viewers- those who were native
menurut sejarawan film Indonesia Misbach Yusa Biran tidak dapat dimengerti kebanyakan penonton,

However, the Indonesian film historian Misbach Yusa Biran suggests that a Japanese man named Kurata Bunjin was the actual director of these works,
Akan tetapi, sejarawan film Indonesia Misbach Yusa Biran berpendapat bahwa seorang pria Jepang bernama Kurata Bunjin adalah sutradara sejati dari film-filim tersebut,

The Indonesian film historian Misbach Yusa Biran credits the triple successes of Terang Boelan,
Sejarawan film Indonesia Misbach Yusa Biran menyebut kesuksesan Terang Boelan,

According to the Indonesian film scholar Misbach Yusa Biran,
Menurut sejarawan film Indonesia Misbach Yusa Biran,

Agus Salim, Misbach, and so forth Noor 1996:37.
Haji Agus Salim, Haji Misbach, dan lain-lain Noer 1996.

the Indonesian film historian Misbach Yusa Biran credited Roekiah as the"dynamite" which led to this positive reception.
sejarawan film Indonesia, Misbach Yusa Biran, menyebut Roekiah sebagai" dinamit" yang menyebabkan kesuksesan film.

The Indonesian film historian Misbach Yusa Biran writes that this is evidence the picture was targeted at intellectual audiences,
Sejarawan film Indonesia Misbach Yusa Biran menulis bahwa inilah bukti bahwa film ini ditujukan pada kaum intelektual,

Established in 1975 by Misbach Yusa Biran
Didirikan tahun 1975 oleh Misbach Yusa Biran

Misbach Yusa Biran,
Misbach Yusa Biran,