Examples of using The visual identity in English and their translations into Croatian
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Colloquial
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Ecclesiastic
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Computer
following the development of the visual identity and modern Croatian military tradition,
interior design works on the existing building were carried out in compliance with the visual identity and strict standards of the owner
which are in conjunction with general and special regulations, and the visual identity of the stand, it is necessary to send a written request with the description of the changes immediately upon receiving the illustration.
GIVEMEMYDOLL especially emphasizes that the visual identity of the products shown in the photo does not match the appearance of the product in reality,
That was an excellent starting point for the visual identity as we wanted to use all means of communication to educate potential visitors about Faust's field of work and to motivate them
ecological influences shape the visual identity of a certain period of time
Since we designed the visual identity for the Dubrovnik and Neretva county touristic board we decided to use that solution as a base of designing this identity, since they are both parts of the same county.
the standards" already established in the USA and Western Europe, and">in Croatia they would culminate with the visual identity project of the Mediterranean Games in Split 1976-79.
Considering the such original character of the communication intervention in which the grip in the existing information was reduced to minimum, the visual identity of Croatia's presentation is based on the experiences of pop art.
while that same feeling is projected through the visual identity, created by the art director Maja Bagić Barić,
who are responsible for the visual identity of the club.
In 2015 our company was awarded a grant for the purchase of 20 plastic barrels used for pickling with the capacity of 15,000 litres as well as for the design of the visual identity of our new product,
We were very much intrigued by the open tender for the visual identity of what should become the Creative Hub of Dubrovnik rooted in the heritage of Old City of Dubrovnik
because it was largely created following the visual identity of the London Underground.
The visual identity chosen for 2016, the Year of St. Blaise,
Imelda Ramović: Nino Kasupović gave me the task to shape the visual identity of this year's festival
This poster was based on the visual identity of the theatre show, and the idea is to print it out on a matt translucent plastic foil,