I believe that Japan has the power to solve this problem and I want the Japanese government to encourage the government of Myanmar to secure the human rights of Rohingya people.
A lot of people think that as long as you get the idea down vaguely on paper, and you do enough of them, you have got a body of work, and they want the body of work to be seen outside the technique.
I always shoot with the idea of freezing a moment in time forever that has universal appeal, hoping that it will resonate with the viewer and that they will share the same sense of aesthetics. In my dialog with nature, I don't want the camera to assert itself, rather, I want it to sit as an unwavering foundation for enshrining nature.
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