Voorbeelden van het gebruik van Irma klein in het Engels en hun vertalingen in het Nederlands
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the threat the Nazi regime represented for Irma Klein, and to a lesser extent for Robert Lewenstein.
Yet during the investigation no information was found on the grounds of which it can be concluded that the aforementioned circumstances played a role for Irma Klein or Robert Lewenstein in regard to putting the work into the sale.
On 2 January 1940 Isaac Coopman wrote that Irma Klein found it immoral'als zij de kostbare familie-eigendommen, antiek en schilderijen thans zou verkoopen''if she were to sell the valuable family possessions, antiques and paintings now.
consequently the work ended up in the community property of Robert Lewenstein and Irma Klein and they obtained actual possession of the work.
It has furthermore not emerged that Irma Klein made efforts during the period after the German occupation to request the Museum to return the currently claimed work despite the reasonable assumption that she knew or could have known the work was there.
not yet divided community property of Robert Lewenstein and Irma Klein.
According to a handwritten list in the Museum's archives, Irma Klein wanted to sell a number of the exhibited works,
This sale was probably the consequence of the precarious financial situation in which Robert Lewenstein and Irma Klein found themselves at the time,
While Irma Klein was not entitled to put the work,
On 2 January 1940 Isaac Coopman wrote in response that Irma Klein'het immoreel(vindt)
In the Committee's view it can be assumed on the grounds of these references that the art collection assigned to Robert Lewenstein after Hedwig Lewenstein's death remained behind at 13h Bachplein, and that Irma Klein had actual power over it after Robert Lewenstein's departure.
Firstly the biography of Wilhelmine Lewenstein, referred to earlier, states that there was a suspicion that Irma Klein played a part in the sale of the art collection:'Für den Rest ist ihr Bruder Bob Schlüsselfigur:
restoration of rights and recovery authorities, and that after the war Irma Klein loaned paintings to the Museum.
The Committee takes account of the following.- The sale of the currently claimed work in October 1940 cannot be considered in isolation from the Nazi regime, but it was also in part the consequence of the deteriorating financial circumstances in which Robert Lewenstein and Irma Klein found themselves well before the German invasion.
In the Committee's opinion it follows from this that Irma Klein, who at the moment that the community of property was dissolved had actual possession of the currently claimed work,
on the other hand has to have been caused to an extent by the deteriorating financial circumstances in which Robert Lewenstein and Irma Klein found themselves well before the German invasion,
After the war Irma Klein made no attempt to get the painting back.
Irma Klein was rounded up and detained by the
Irma Klein remained living with her mother at 13h Bachplein.
Irma Klein died in 1983 in Amsterdam.