영어에서 Typefaces 을 사용하는 예와 한국어로 번역
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Colloquial
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Ecclesiastic
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Ecclesiastic
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Programming
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Computer
Japanese typefaces sci. lang.
fonts or typefaces are the adaptation of the same physical concept to the computer.
These bitmapped typefaces were first produced by Casady& Greene, Inc. and were also known as Fluent Fonts.
there's no longer a need for text, bubbled typefaces, or a lowercase‘t' to represent Twitter.
My initial type design philosophy of‘two typefaces, one form principle' is simply changed into‘three typefaces, one form principle'.
This means it's also one of the best places for finding a free font for your commercial project: all the typefaces on the site have this licence!
There's no longer a need for text, bubbled typefaces, or a lowercase‘t' to represent Twitter.”.
The early sans-serif typefaces often did not feature a lower case or italics, since they were not needed for such uses.
Reviewing the brand, including typefaces, colors, language
Availability: All typefaces we use must be already usable(or made available) on all platforms where Wikimedia projects are present.
Whenever the design requires multiple typefaces, designers have to provide all the files for the font styles used.
Its members looked at the clear lines of Akzidenz Grotesk(1896) as an inspiration to create rational, almost neutral typefaces.
Capture uses Adobe Sensei to analyze the shapes of your text to suggest similar typefaces that can be saved as character styles.
Independent developers and graphic designers create new typefaces for both TrueType and Type 1.
As Michael Evamy writes in his book Logo,“Words carry meaning; typefaces convey character.”.
If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts.
traditional typefaces, like Franklin Gothic,
But among those that do need to change the typefaces on their devices, it is heartwarming to know that 1 it is possible to do so,
one typography class after dropping out of school, the Mac would not have had such multiple typefaces or proportionally spaced fonts.
But part of what makes it so heartening to me as a designer is that he's taken the visual vernacular of Diet Coke-- the typefaces, the colors, the silver background-- and he's reduced them to their most essential parts, so it's like going back to the Charlie Brown face.