Examples of using Rossini in English and their translations into Spanish
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Colloquial
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Official
The second major event of the year was her debut as Pamira in Rossini's The Siege of Corinth at La Scala, a success that put her on the cover of Newsweek.
These included Tancredi and Semiramide for Rossini and Il crociato in Egitto for Meyerbeer, as well as
Though Berlioz grudgingly admired some works by Rossini, he despised what he saw as the showy effects of the Italian style and longed to return opera to
They include recordings dedicated to the works of Verdi and Rossini, Mexican and Spanish music,
La Donna del Lago, inspired Rossini who composed the masterwork with sensational main roles.
one that preferred to find a forgotten repertoire rather than sing the same heroines of the Rossini operas during her entire carreer.
apparent in Farlaf's Rondo, a Russian emulation of Figaro's"Largo al factotum" from Rossini's The Barber of Seville.
held again in the Rossini room of the Teatro Cervantes,
Handel, Rossini, Verdi, Puccini
This is a fascinating project which is performed at the Teatro Rossini in Pesaro in an original concert entitled Rossini monamour: a carefully selected range of unknown melodies by Rossini, or in other words the recovery of many well and truly"forgotten pearls" for
The complete Messa per Rossini was discovered by American musicologist David Rosen in 1970
the composer Rossini, the poet Ugo Foscolo
one poetess- en route to join in the French coronation festivities that the opera itself was composed for, Rossini never intended it to have a life beyond a few performances in Paris.
from 17 November 1868, four days after Rossini's death, to his publisher at Casa Ricordi, Tito Ricordi(1811-1888), stating that after the performance, the manuscripts should be sealed in the archives of the Liceo musicale Rossini.
Blasco, Rossini, Duffo, Arruaga,
Saint-Saëns, Rossini, Liszt, Wolf, Britten, Honegger.
Gioacchino Rossini used to stay at the Locanda Maggiore Hotel,
Artistic Advisor of the Pesaro's Rossini Opera Festival and of La Coruña's Festival Mozart; Artistic Director of Baroque Festival of Fano; Artistic Director of Rossini Opera Festival di Pesaro and of the theatres Carlo Felice in Genova and La Scala in Milan.
The national president of ACLI Roberto Rossini, the Co-president of EZA Piergiorgio Sciacqua,
Puccini and Rossini accompanied on piano by Juli Rodríguez.